Ham Do Ha
Critique
In modern society, people often hide true emotions behind facades of fake, flat personas. Through art furniture, I strive to ignite in the modern man the vibrant curves and edges of pure human emotionality.

From animated chairs to traditional Korean cabinets, I tinker with the versatility of furniture as an art genre where it not only maintains its practicality and functional purpose as a tool but also interactively inspires artistic value and humanity. I wish to redefine furniture not as mundane tools or meaningless ornaments but as relatable, interactive objects that may gently rekindle our empathy and humanity.

I hope to continue excavating new potentials of art furniture media, and as a result open in the world of social art new ways of seeing and appreciating objects beyond what meets the eye.